More about school you ask? Of frigging course.
As the weeks progress I find myself more and more confused. Am I doing anything right and am I really getting this method thing? The sensory work is the mind boggling culprit. If you don't know what the hey I'm talking about let me elaborate: it's the technique in which we try to get in touch with years of bottled up emotions, stored in the body, in order to convey a sincere and truthful reaction. By building up a toolbox of these emotional reactions, I will HOPEFULLY some day in the future be able to incorporate them into the characters I'm playing. At this point however, when I try to put it to work on stage I feel like a freshman medical student who attempts to perform a myocardial biopsy a month into his study. I find myself constantly hitting the wall and not feeling anything when I'm supposed to. I HAVE to concentrate, which is hard when stuck in ADD mode. I shared my frustration with a fellow student to which he replied: "It's hard, dude". To which I said "Yeah".
Thankfully, not everyone at school is that short on info. I'm getting to know a Mexican guy who seems to understand the concept quite well. He told me a fascinating thing. The original Latin meaning of the word remember is based on remembering stuff with your members AKA limbs. Not to be confused with remind, which is remembering stuff with the mind (duh) AKA noggin. In the Spanish language they apparently also have a word for remembering things with the heart. Now that's beautiful, innit? The hole Re - member thing is pretty much spot on, in terms of what we're trying to achieve. To release muscle memory.
Sounds pretty new age, right? 'Tis! 'TIS!!! For at least 10 hours a week I am in a chair going Aaaaaaaaahh (sometimes even "HAH!!"), getting rid of tension. This is a core part of the method. Apart from being a method actors' tool it has also proven to be quite therapeutic as I've been able to rid myself of everyday bullshit, sadness and frustration, giving me better focus on the task at hand. As I get more and more into it, however, I feel I might be a bottomless well of snot and tears. Who knows? That might come in handy if I'm ever asked to play Edith Piaf or Slimer from Ghost Busters.